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- Welcome to the Ballroom
Welcome to the Ballroom (2017) 
Ballroom e Youkoso
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(Chinatsu Akasaki)
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Leonie Landa |
Chinatsu Hiyama |
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12-24 |
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(Hisao Egawa)
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Christopher Groß |
Vassily Trucachev |
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15 |
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(Kenji Fukuda)
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Christian Rudolf |
Tetsuo Fujita |
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01-04, 06, 11 |
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(Chad Horii)
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Daniel Welbat |
Tomochika Jinbo |
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(Takanori Hoshino)
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Rasmus Borowski |
Gorou Mine |
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14, 16, 18-21, 24 |
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(Yuuko Kaida)
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Svenja Pages |
Marisa Hyoudou |
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(Nobuaki Kanemitsu)
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Mathias Güthoff |
Tetsuya Oonishi |
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21, 23-24 |
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(Nobuaki Kanemitsu)
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Gunnar Titzmann |
Shigeru Koumoto |
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14, 18-20 |
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(Yuuki Kodaira)
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Annika Tenter |
Karen Banba |
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(Sachi Kokuryu)
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Rana Farahani |
Tamie Idogawa |
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14-24 |
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(Sachi Kokuryu)
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Rana Farahani |
Chiho Hiyama |
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20 |
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(Minako Kotobuki)
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Christine Kutschera |
Chizuru Hongou |
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12-13, 15, 21, 24 |
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(Takamasa Mogi)
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Mark Seidenberg |
Chihiro Hiyama |
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14, 18-20, 23 |
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(Takamasa Mogi)
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Mathias Güthoff |
Masashi Nii |
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21-22, 24 |
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(Toshiyuki Morikawa)
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Daniel Schütter |
Kaname Sengoku |
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(Sumire Morohoshi)
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Franciska Friede |
Mako Akagi |
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(Miki Nagasawa)
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Annika Tenter |
Fusako Mine |
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18, 20 |
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(Mamiko Noto)
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Nadine Schreier |
Tamaki Tsuburaya |
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(Nobuhiko Okamoto)
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Yannik Raiss |
Kiyoharu Hyoudou |
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(Ayane Sakura)
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Linda Fölster |
Shizuku Hanaoka |
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(Takahiro Sakurai)
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Nicolas König |
Masami Kugimiya |
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15-24 |
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(Hiroo Sasaki)
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Martin Brücker |
Hitomiware Chouno |
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18, 21-24 |
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(Haruka Shimizu)
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Annekathrin Munz |
Ansagerin |
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07-11, 18-21, 23-24 |
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(Naomi Shindou)
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Verena Wolfien |
Yoshiko Sugisaki |
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21 |
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(Naomi Shindou)
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Svenja Böhm |
Chisato Hiyama |
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14, 18-20, 23-24 |
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(Takako Tanaka)
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Rana Farahani |
Hinako Mine |
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18-20 |
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(Danshun Tatekawa)
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Martin May |
Tenpei Hanageishi |
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07-11, 24 |
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(Kentarou Tomita)
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David Berton |
Gaju Akagi |
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(Shimba Tsuchiya)
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Flemming Stein |
Tatara Fujita |
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(Shigeru Ushiyama)
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Mark Seidenberg |
Tadashi Kunieda |
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22-23 |
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(Aoi Yuuki)
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Jenny Maria Meyer |
Akira Koumoto |
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14, 16, 18-21, 24 |
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(Isamu Yuusen)
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Marcus Just |
Yoshinori Iwakuma |
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03-04, 06, 24 |
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Die Besetzungsangaben basieren auf unterschiedlichen Quellen und bieten insbesondere vor der Erstaufführung keinerlei Garantie auf Vollständigkeit oder Korrektheit.
